Whack Museum, Tierra Whack
Miss. Tierra. Whack. Is rapping her ass off in this album! This record has a mixture of everything that I love about rap/hip-hop. She has witty bars, impeccable flows, amazing beats, double entendres, and all of this with a layer of humor that will keep you engaged with each lyric. She gives the most looney tunes ass homophones and bars while staying rooted in the cool nature of rap. You would think with all her eclectic lines that this album might only really click with a niche group of listeners but I actually think this album has something for everyone, that is, if you like rap and like female rappers. If you don’t like rap, your likely racist, which makes you being on my website weird af. If you don’t like female rappers, your likely a misogynist…and you might be gay too. You should really check on that, do some introspection buddy. Anyways, this album is great and I love how Tierra Whack really blends new and old forms of rapping together. From boombap beats, to early 2000s soul samples, to contemporary Atlanta trap music. She manages all this so effortlessly, stylishly, and overall, the album feels like Tierra Whack is staking her claim on hip-hop itself while simultaneously writing a love letter to fans of rap.
Favorite Song: Wax Paper
"Cruella de Vil 'cause i'm comin for my spot
Dawg, you wack without H so that means you a knockoff."